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March 05, 2010

Mortal Kombat / Mortal Kombat: Annihilation

If I actually played video games, the number of video game movies I see would make a lot more sense. Despite my complete lack of playing, I have to admit that I saw both Mortal Kombat and Mortal Kombat: Annihilation in theaters. On opening day. And I bought the soundtracks.

You can stop judging me now. It's not like I think they're good movies. My schedule was a little more free back then, and some people I know wanted to go, so I went.

Okay, that's only an excuse for the first one.

Rewatching these films made me realize how far I have come in viewing my entertainment with a critical eye. Meaning that I apparently had no critical eye whatsoever back then, despite a bunch of liberal arts schoolin', or I simply declined to think while watching these films because otherwise it would be too depressing.

In case you have so far escaped exposure to the glorious and complex storytelling that is the Mortal Kombat universe, let me introduce you. Lord Rayden, who is the deity of a group of Asian monks but who is played by uber-white guy Christopher Lambert, lures three possible Chosen Ones to a boat so he can sail off with them and convince them to save the world. It seems that Earth has been getting its backside handed to it in a series of tournaments that will decide the fate of the world, and this is our last chance to win and keep Planet Home from being overrun by nasty evil crawly things.

Our three potential Chosen Ones who can defeat the evil sorcerer Shang Tsung (Cary-Hiroyuki Tagawa, whose mother was Japanese) include Liu Kang (Robin Shou, whose parents were from Shanghai), who is trying to avenge his brother's death; Johnny Cage (Linden Ashby), a white boy action film star who wants to prove that he's more than a pretty boy; and Sonya Blade (Bridgette Wilson, also white), a former police officer who is investigating her partner's death. As Lord Rayden says, any one of these three could be the one who defeats the bad guy and saves the world.

That's not really true, because what are the chances that a woman in an ensemble cast is going to be the Chosen One? I appreciate the effort, but it lacks plausibility.

The film starts off pretty well. Sonya is dressed appropriately for a commando mission, and her second in command, Jax (Gregory McKinney) is an African-American man who is treated like a competent professional and a good friend to boot. Johnny assumes Liu is basically the bellhop, presumably because he's dressed a little scruffy and he's Asian, which means he must be part of the crew? Unclear. Anyway, comeuppance follows quickly, and the audience is supposed to think Cage is kind of an arrogant twit for that incident.

Things start to go downhill pretty quickly once the trio arrives on the island where this round of the tournament will take place. Princess Kitana (Talisa Soto, of Puerto Rican descent) is introduced, billed as the "most dangerous adversary" on the Bad Guy team, but then fails to do much of anything to merit such a warning. (But hey, a woman of color in an action role! How many times does that happen?)

Sonya's big fight is a parody, which lavishes much attention on her pained reactions to being hit and little attention to any useful undergarments which women in athletic situations would generally employ. I believe at one point I yelled "Get some undergarments, lady!" and my husband yelled "Hell, get some overgarments!" I guess her tank top and hot pants did not qualify as overgarments to him, especially for someone about to be in the equivalent of a mixed martial arts smackdown.

Aside from Kitana and Sonya, there aren't any other women - which might explain why the male characters provide constant commentary on both of their looks. If there were more women, you could spread it out more. Sonya also does the cliched "I don't need your help, I can take care of myself" thing even though the audience is being telegraphed that this is completely untrue. Especially when the bad guy grabs her by the hair, kidnaps her, and puts her in a studded leather mini-dress and Tawny Kitaen hair.

Like most lower budget action and martial arts films, the casting in this film is more diverse than blockbuster films. That's not to say they use this resource wisely. For example, Art (Kenneth Edwards), an African-American fighter who is in the tournament, is basically sacrificed to one of the bad guys in a "save the white folks and the Chosen Asian Guy" maneuver.

But in the end, Liu Kang saves the world, and isn't that what really matters?

"Wait!" you may say, "If the world is saved, then where does the second film come from?"

It turns out that the bad guys cheated. Oh the shock! Yes, the forces of evil have decided to screw the rule book and invade Earth anyway. So once again, the fearless trio of Liu Kang, Johnny Cage, and Sonya Blade must ride to the rescue. Except Princess Kitana is with them because it turned out she was not actually bad and she's Liu's girlfriend now.

As the fight begins, Sonja is (unsurprisingly) the first to fall, and poor Johnny Cage gives his life to protect her. She swears she will kill Kahn, the bad guy who took his life, but since Kahn is the star bad guy for this installment, we know that's an empty promise. At least in this film, she doesn't get abducted... because it's Kitana's turn! Bye bye, Kitana, have fun sitting in an iron birdcage.

To defeat the forces of evil, Liu and Sonya each need reinforcements. Liu is sent by Lord Rayden to... wait for it... a Native American shaman! For wisdom! (The character's name is Nightwolf, he is played by actor Litefoot, who is a member of the Cherokee Nation.) And this half naked woman named Jade shows up and she's pretty much a Dragon Lady! (Jade is played by Irina Pantaeva, whose ethnic background is a Siberian minority group called Burkat, related to Mongolians.) And Liu sees visions of Kitana in his dreams, and she looks like she's been subjected to a Glamour Shots makeover, because everyone knows that women aren't really fighters, they're soft and pretty! With lots of eye makeup! Meanwhile, Sonya goes to find her old partner Jax (now played by Lynn "Red" Williams), last seen as a perfectly normal dude who happens to be African-American. Now he has cybernetic arms or some shit, and he's all about the street slang. (It's really, really, really bad.)

Then Sonja ends up in a chick fight mud wrestling scene.

No really, I'm serious.

(Do you see why I'm afraid of the next Resident Evil movie? They're heading this direction, I tell you.)

Throw in some additional commentary on women's bodies, including Lord Rayden who is supposed to be the younger god of all enlightenment or whatever asking "Can she fight as good as she looks?" Defeat Sheeva (Marjean Holden, a woman of color), the badass female general from the dark side by simply dropping a cage on her (oooh, the symbolism). And this time, it's Princess Kitana who saves the world.

Huh? A woman is going to save the world?

Okay, let me clarify. Liu Kang defeats the bad guy. However, we are told it would all be for naught if Princess Kitana doesn't love her mommy enough to make her stop being so damn evil. Yes, the undead Queen Sindel (played by Musetta Vander, who is white) is the key to undoing the partial fusion of the Earth Realm with the Outworld, and it's up to Kitana to bring mommy back to the side of light.

I don't think even the writers would claim it makes sense. If you've been keeping track of the casting though, you may have noticed that quire a few people of color and women got acting jobs because of these two fine cinematic productions. So I will give the Mortal Kombat film oeuvre one star.

August 31, 2009

Red Sonja (1985)

I have seen Conan The Barbarian several times, but somehow I had never seen Red Sonja. Now that I have, I'm really not sure how to rate it. My grasp of Arnold Schwarzennegger's acting career is shaky, so I was stunned to find out this film was made in 1985. I wouldn't have guessed 1960, but 1985 seems so... modern, for a film with such blatant anti-feminist content. (Perhaps I should brush up on my feminist history again, there's probably a good explanation and I'm just not connecting the dots.)

The premise of the film offers an opportunity for something very feminist, especially since few women had picked up swords in leading roles before Brigitte Nielsen portrayed Sonja. But here's my summary of Sonja's origin story. Notice anything problematic?

June 06, 2009

Terminator Salvation

We apologize for the delay in issuing this review of Terminator Salvation. You see, after I took one for the team and reviewed Terminator 3, I was kind of hoping that Grace would step up and save me from what I feared would be a race and gender FAIL. Alas, no. So here it is.

Ladies, be not afraid! In the future, your important roles as accessories to men's Important heroic actions will not be disturbed! You will be free to be kidnapped, knocked around, and rescued just as before, with no concessions made to the fact that the future of humanity depends on every person fighting tooth and nail against unstoppable foes!

People of color, you too will continue to enjoy your traditional positions as sidekicks to the Important White Men! And lest you fear that diversity will not be as highly valued in the future as it is now, let me reassure you that some of the higher echelons of the fight against the machines will be extremely international! There's a guy from Japan or somewhere!

p.s. To the guy who got a piece of rebar shoved through his chest: hope you like your new heart with a side of sand! And I'm glad they taught organ transplant surgery in vet school! Now if you just had access to a lifetime supply of anti-rejection medications, we'd be rocking this thing!

I'm sorry, what? Not long enough? Okay fine. I'll start over.

May 12, 2009

Star Trek

For this review of the new Star Trek film, please welcome BonnieBelle of A Working Title. She called her review "Star Trek: Deconstructed" when she sent it in, and I have to say it's a darn thorough deconstruction! Thanks for making BonnieBelle feel welcome, I know we're all looking forward to some good discussion. -Skye

First of all, let me say that I am a Trekkie. I love the original Star Trek, and TNG and all the other ensuing seasons and spin-offs. Star Trek: TOS was a pioneer show in its time, portraying not only non-stereotypical characters of color, but women in strong roles. I'm going to spoil the heck out of the new movie, so read on at your own discretion.

Director JJ Abrams did a fantastic job of reimagining the style and visual impact of the series, the story he told was original and very much in line with the Star Trek legacy. The actors he chose, many of them unknowns or B-list stars, were perfect for their roles and very similar visually to the previous stars. It is a true restart for the series, and I hope to see more Star Trek movies in the future from this cast and director.

And yet... And yet...

May 05, 2009

X-Men Origins: Wolverine

Men, men, men, men, men, men, men, men, men. If you need men, X-Men Origins: Wolverine movie has men. Men over here, men over there, some more men hanging out over n the corner as backups just in case they run out of men. Which they won't, because of all the men everywhere.

If you need women, though, you're kind of fucked.

Before I lay out my complaints, let me say that I have little sympathy for any argument like "But they had to do it that way, it was like that in the comics." Sorry, but "the comics" aren't in and of themselves consistent. Also, the filmmakers don't hew to "the comics" all the time anyway, tons of stuff is rearranged, so to identify any specific detail and use that defense is just silly. Except for the part where Wolverine had claws.

Let me also say that I'm just going to spoil the fuck out of this movie, so make your own decision about whether to keep reading.

April 14, 2009

Dragonball Evolution

You may have seen previews or read about Dragonball Evolution and thought "wow, that looks really bad." I did. I had no idea, before seeing this film, just how right I could be.

I saw the movie with my lovely co-blogger, who, at one point near the end of the film, just burst out laughing at the sheer stupidity of it. I'm surprised it took one of us that long to guffaw. This movie is, beginning to end, terrible. The dialogue is painful, the acting belongs in a high school play, and the characters are paper cut outs. As far as film quality is concerned, there is nothing good about it. Zero stars.

However, Dragonball doesn't fail its female characters.

January 28, 2009

Underworld: Rise of the Lycans

I will forgive a movie a good many things if it moves me. Underworld: Rise of the Lycans did not. I was bored.

So I'm not inclined to be magnanimous about how far this trilogy has fallen in terms of gender representation. If I was, I would say that in an ideal film world, the total output of action films in a given year might well mirror the Underworld Trilogy. About a third would have a woman as the dominant ass-kicker, cool as sin and twice as competent, as in Underworld. About a third would be an even mix, where women and men share the spotlight, as in Underworld: Evolution. And about a third would have a man as the take charge and take no prisoners leading man, as in this film. We're not looking to eliminate films where a man is the hero, contrary to what enemies of feminism constantly assume. We just want some variety.

September 01, 2008

Kansas City Bomber

As we've discussed before, I love roller derby. I've also recently, through another project I'm working on, developed an interest in films from the 1970s. Imagine my joy, then, when Netflix turned up a suggestion for Kansas City Bomber, a 1972 film starring Raquel Welch as a roller derby queen.

This excitement, however, only got me through the first 30 minutes of this terrible, terrible movie. The other 60 minutes were powered solely by my dedication to Heroine Content readers.

August 04, 2008

The Mummy: Tomb of the Dragon Emperor

Wow. That was so bad.

Really.

Really, really bad.

To be more substantive, the comedy wasn't funny. Luke Ford, who plays Brendan Fraser's son, has about as much charisma as one of the rocks in my backyard. (The rocks aren't that cute either.)

I had higher hopes for this one due to the casting of Jet Li and Michelle Yeoh, and when I saw there was even another woman of color in a strong speaking role (Isabella Leong), and another one in a smaller speaking role (Jessey Meng), I was pretty excited.

Once I started watching it, though, I was all over the map with how many stars I would give it.

August 02, 2008

The Mummy / The Mummy Returns

It's been a really, really long time since I saw any of the Indiana Jones movies, and I didn't see the fourth one. Instead, I've been rewatching The Mummy and The Mummy Returns to prepare for a girls' night (ok, morning) outing to see The Mummy: Tomb of the Dragon Emperor.

Some have suggested that Heroine Content's tagline should actually be "Helping feminists with their Netflix queues since 2006." If that is true, then let me just say up front that you probably shouldn't bother with either of these if you haven't already seen them.

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